I found this in Bartlett's when I was confirming the "sic vos non vobis"
lines yesterday:
When I loved you and you loved me,
You were the sky, the sea, the tree.
Now skies are skies, and seas are seas,
And trees and brown and they are trees.
(Charles A. Wagner)
I went to Sumana's party and also ate at La Note. We played a game called
"Before I Kill You, Mr. Bond..." from a company in Seattle called
Cheapass Games. Maybe I should
try to make up a game.
A group called CFIF wrote an essay
earlier this summer claiming that
compulsory licensing violates the takings clause ("'Taking' Away Music
Copyrights: Does Compulsory Licensing of Music on the Internet Violate the Fifth
Amendment's Takings Clause?", by Laurie Messerly). They just mentioned it in
connection with the MOCA bill.
This argument is unbelievably ridiculous. Fred found
a Cato piece
("Musical Mandates: Must the Pop Music Industry Submit to Compulsory
Licensing?", by Wayne Crews) which makes a similar argument.
It's not that I support any particular compulsory licensing proposal, it's
that I'm worried about the implications of generalized opposition to
compulsory licensing as a concept. The implication of "'Taking' Away Music
Copyrights" is that Congress is not allowed to weaken or scale back
copyright law!
I think some people proposed that Eric Eldred ought to make fifth
amendment takings arguments in challenging the Copyright Term Extension
Act -- in particular, that Congress was engaged in a taking when it
extended copyright, not when it failed to extend copyright! (I
don't think he actually made that argument, but he did make this
interesting argument about tide-waters.)
Think for a moment about Messerly's argument. When Congress enacted
the first U.S. copyright law, it clearly did not violate the Constitution
(ignoring for the moment the historically interesting argument that all
copyright law violates the first amendment). But now once that law had
been passed -- per Messerly -- it could no longer be repealed! Denying
copyright holders their right to dispose of their "intellectual property"
would consistute a taking; thereafter, the fifth amendment's takings
clause would have to act as a ratchet, forcing the provisions of
copyright law to grow ever stricter, not allowing the least diminution.
What will it take to convince people that
copyrights
are not property?
I talked to Lia and Michelle, which is always a pleasure.
I said that "it's not that I support any particular compulsory licensing
proposal" -- and it's true that that's not why I'm worried about the
anti-compulsory-licensing arguments. But I do seem to think that it's
bad that works can go out of print simply because of copyright.
A question: what would a successful reform aimed at preventing works
from going out of print look like? What would it do to the used book
business?