Vitanuova for 2001 March

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"In the book of my memory, after the first pages, which are almost blank, there is a section headed Incipit vita nova."

On Wednesday and Thursday, I read Dante's La Vita Nuova, which I'd long been curious about. It's very interesting that Dante feels compelled to explain his own poetry, even in a very formulaic way. ("There are four parts in this sonnet. In the first, I...")

There are definitely some interesting parts in the Vita Nuova. It's good to get the inside story on Dante's love for Beatrice -- something commentators on the Divina Commedia always write footnotes about, something my father has often mentioned, but never something I read a primary source about.

After the vision which I had described, when I had composed the rhymes which Love had commanded me, a number of conflicting thoughts began to contend and strive one with the other, all of them, it seemed, unanswerably. Among them were four which seemed most to disturb my peace of mind. One was this: "The domination of Love is a good thing because he guides the mind of his faithful follower away from all unworthiness." Another thought was this: "The domination of Love is not good because the more faithfully a follower serves him, the more burdensome and grievous are the moments he must endure"; yet another thought was as follows: "The name of Love is so sweet to hear that it seems impossible that it can be anything but sweet in its effect upon most things, for it is known that names are a consequence of the things which are named, as it is written, Nomina sunt consequentia rerum"; the fourth thought was this: "The Lady for whom Love holds you so enthralled is not like other women whose hearts are easily moved." Every one of these thoughts so contended within me that I became like a person who does not know which road to take on his journey, who wants to set out but does not know where to start.

(Dante Alighieri, La Vita Nuova, XIII (trans. Barbara Reynolds))

Dante's self-condemnation on account of his love for the "compassionate lady" who appears after the death of Beatrice is remarkable. Dante was a very serious man and really felt things deeply; I think this is something that leads people to compare him with Vergil, whom he put into his own poetry later on as a character or as an inspiration.

People are remarkably divided in their views of Dante's love for Beatrice. La Vita Nuova records that (as has become legendary) he saw her when they were both nine years old -- we could presume before puberty, when they were both children -- and he fell in love and remained deeply in love with her for the rest of his life, although they barely spoke. (Dante remembers being greeted once by Beatrice some years later, and wishes at length that she would greet him again. So they did actually say hello to each other, at least once.) But Dante had a series of visions which convinced him of the validity of his inclination that Beatrice was unique and special and that he ought to love her for his whole life. ("And some in dreams assured were...") And when he did waver from this commitment (after Beatrice was dead!), he couldn't live with himself:

Your levity I contemplate with dread [...]
While life endures you should not ever be
Inconstant to your lady who is dead.

(id., XXXVII)

and again: "often I grew angry in my heart and reviled myself greatly [a]nd often too I cursed the vanity of my eyes [...] 'for never, this side of death, ought your tears to have ceased!'". Finally "my heart began to repent sorrowfully of the desire by which it had so basefully allowed itself to be possessed for some days against the constancy of reason; and when this evil desire had been expelled all my thoughts returned once more to their most gracious Beatrice".

So you can see how Dante's view really polarizes people; few people reading this are neutral in their assessment of Dante's behavior. (It's interesting that I say "behavior", because Dante barely did anything observable in the entire book, except visit another city, get sick, cry, and write poems. He's very concerned with his inner life, which continues in parallel to and separate from what people can see about him. It's of consequence to him whether his feelings are noble or base, whether his thoughts are reasonable or unreasonable -- whether inside himself he is virtuous or vicious. Certainly Dante, as a Christian, kept in mind the admonition of the Gospels about looking at women the wrong way, as opposed to the Jewish emphasis on good deeds, what Christians ended up calling "works". In La Vita Nuova, Dante's only works are his poems, and he never does anything that most people today could call "real". This is a source of continuing controversy. Dante's concerns make lots of sense to me; I can relate.)

By the way, there is a company called Vita Nuova which sells support for the Bell Labs Inferno operating system.

I always associated the title of La Vita Nuova with Christian apocalyptics -- "Ecce nova facio omnia", which I remember acutely from a love story of my own, and the New Jerusalem and the New Heaven and New Earth, and then of course in the Symbolum Nicenum where it says "et expecto resurrectionem mortuorum, et vitam venturi saeculi, amen". So the phrase has this really strong eschatological significance for me, which really affects how I would read a book called La Vita Nuova -- but the notes in my edition say, to my surprise, that "[t]he literal English translation, 'The New Life', has religious overtones which are probably not in the original". Hmmmmm.

On a very different note, on Tuesday I saw Crouching Tiger, Hidden Dragon with Zack and two ladies whom I presume are gracious. It's definitely a beautiful movie, and I agree with the praise for the fighting scenes, especially in the forest.

Crouching Tiger is interesting for addressing ancient mythical Chinese sexism: Jade Fox becomes evil because the founder of the Wudan school rejects her as a student and sees her only as a sexual partner (we could probably even say "sexual object"). And Jade Fox's student in turn rejects Wudan for its continuing sexism and begins to turn toward evil. There is the sense that Wudan is to blame for all this: if Wudan's founder had been willing to teach Jade Fox as an equal with his male students, the policeman's daughter would not have ended up as an orphan.

A lot of artistic works have been addressing sexism in somewhat cliched ways. The classic example for me is actually a Dar Williams song, "The Babysitter's Here":

And will they get married with kids of their own? He says
"Not if she's going to college we won't,"
And he kisses her, oh... some day I'll have a boyfriend just like that...

(Emphasis in original.) The young girl's misunderstanding of her babysitter's life

She says, "Do me a favor, don't go with a guy who would make you choose,"
And I don't understand, and she tries to explain
And all that mascara runs down in her pain
Cause she's leaving me...

(emphasis added) is tragic, but I think the presentation is a bit heavy-handed. Every single time I hear that song, I find it really jarring: it's the core and key to the song, but the little girl narrator has no idea of that. This is a traditional literary device, which Dar Williams wields powerfully, but what's being revealed this way is somehow too much for me.

Another sexism plot showed up at the beginning of Carl Sagan's Contact, which I read recently. The daughter wants to be a scientist. Her father encourages her and then dies tragically. Her (wicked) stepfather thinks women shouldn't be scientists. She keeps on studying science and nature against his wishes. So she becomes endearing, appealing, interesting; her stepfather rapidly becomes the bad guy, ignorant, even cruel. This is all laid out in just a few pages, but we can so quickly identify with the young woman in her enthusiasm and independence (we know that this is a character who will not care about convention, who will find her own path).

When I read the beginning of Contact, though, I felt manipulated, as though Sagan had picked out an unreasonably extreme situation just to polarize the beginning of the story and draw us in. But the problem is that I actually know of a young woman in real life who wants to be a scientist and whose parents are actively discouraging her because they believe women shouldn't be scientists. So "this is real, this is something that happens", and Sagan isn't just making it up.

I had lunch with Art Tyde, one of the founders of Linuxcare, on Wednesday at an Indian restaurant on Folsom (it's actually under the same management as the Tandoori Mahal on Kearny, where I always used to go for lunch buffet -- and they have exactly the same menu, including the lunch buffet) by 8th or 9th.

One of the things we talked about was the effect of business involvement in the Linux community. I reminded Art that this had been a subject of really active controversy in 1998 -- "is business good for Linux?" -- and that there had been all sorts of different views. The most prescient, I think, was the view that "business involvement won't hurt the Linux community as a whole, but personal relationships will suffer". I don't remember whose idea that was, but I'm sad to say that it seems to have been true. I've lost no friends, as far as I know, through business and the "Linux industry", but many of my friends have lost friends that way, sometimes very close friends.

I really do miss the casual and enthusiastic local Linux community from 1998, but I'm glad that I'm still in touch with so many people despite all the turbulent events since then.

I did work for Linuxcare at home. In very classical teacher style, I actually graded a bunch of written multiple choice tests.

I also got my beard cut.

Doesn't it make sense to use the <H1> and <H2> tags here instead of <BIG> and <STRONG>? I got into the habit of using <STRONG> for section headings on Advogato.

My arms really hurt, from moving a filing cabinet last weekend and then typing during the week.

I noticed that RyanMuldoon on Advogato was a co-founder of the ARHS network, with Gabe Ricard, whom I met and corresponded with a bit when I visited ARHS in 1999. It's quite likely that I actually met Ryan, too. Their advisor in this undertaking was Peggy Westcott, who was my computer teacher in elementary school at the Smith College Campus School. (She taught Logo to 4th through 6th graders, including the really exciting LegoLogo unit in 6th grade, to which I looked forward for years and about which I once had a very dramatic dream. It was a dark and stormy night and a few of us, students all, took shelter at Peggy's house, where she let us do experiments with LegoLogo. I think I had that dream in 5th grade, and I wish I could remember who the other students in the dream were, because I have a guess.)

Peggy was a computer teacher at ARHS (one of the best public high schools in Massachusetts) after that, and she had a group of really motivated students who set up a network with a Linux box and did technology projects. I am very much reminded of GEECS, and it seems to me that every high school should have a project somehow along these lines, if students are interested.

After work, in Jamba Juice, I heard the song "Closer to Fine" by the Indigo Girls on the radio, but I think it was more like "closer to crying" for me, because it made me want to cry.

I went to the doctor, I went to the mountain
I looked to the children, I drank from the fountain
There's more than one answer to these questions pointing me in a crooked line
The less I seek my source for some definitive
The closer I am to fine

I guess I've done all of those things lately except for drinking from the fountain. The Indigo Girls continue:

I went to see the doctor of philosophy
With a poster of Rasputin and a beard down to his knee

so when I walked out of Jamba Juice, closer to crying, I thought "Everybody's looking for salvation" but also that I was unlikely to ever have a Ph.D or a beard to my knee -- where other times I seemed to be on track for both of those things.

Well, I remembered the bit from Thornton Wilder's The Bridge of San Luis Rey:

Some say that we shall never know and that to the gods we are like the flies that the boys kill on a summer day, and some say, on the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God.

I liked this because I always associated ignorance with cruelty and knowledge or certainty with kindness. But the Indigo Girls associate ignorance and uncertainty with health, which would certainly have been anathema to me once. (I suppose there are other ways of reading that Wilder quotation, like associating polytheism with cruelty and monotheism with kindness.)

If we take the straightforward interpretation of the list of activities in "Closer to Fine" as metaphorical for all the things that people attempt or look to in order to find meaning, health, happiness, or wisdom, then I think it's easy for anyone to sympathize with the story in that song. Sure, the list there is pretty "New Agey", for the most part. (It does mention the Bible later on, and a "revival", presumably mixing some Christianity together with mountains and fountains in the catalogue of salvationist technique.) But the message of the song is "I did x, y, and z, and nothing worked" (but now the person to whom the song is addressed has allowed the singer to feel more comfortable with ignorance and thereby "closer to fine"). Well!

Isn't it just a little strange for a bottle of isopropyl alcohol to have a safety seal on it, saying "Sealed for your protection"? Isopropyl alcohol doesn't exactly go bad, and you're not supposed to drink it, as it's already a poison. Yes, there are ways of tampering with it that could make it dangerous to people, but it's not exactly a bottle of pills or something.

mike dillon (I'm conflicted about whether to capitalize the names of people who don't capitalize their own, like bell hooks and e. e. cummings; it involves a judgment about whether or not capitalization is part of orthography so that somebody can say "You are misspelling my name!" if you use a capital in a standard place where that person doesn't) is preparing an edition of Ferrer's The Origins and Ideals of the Modern School.

I had dinner with Zack and worked a bit on getting this diary set up. zork is still down, but this is hosted on homer, so this is available even though my home page is not.

My arms felt marginally better in the morning, but that didn't last too long. zork has come back up.

I had a dream last night that I lost a tooth; I definitely hope that doesn't happen in real life. At a few points in my life, I haven't taken good care of my teeth. There are consequences to that.

I'm thinking about various possibilities for interface for this diary. One is to have month pages (2001-03.html) with concatenated day pages together, separated by horizontal rules. Another is to take the output of cal, like

     March 2001
Su Mo Tu We Th Fr Sa 
             1  2  3
 4  5  6  7  8  9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31

and generate links to entries for days where entries exist. Another is to have "next" and "previous" links. I'm just not sure what to do.

I've been hearing a lot (from five different sources!) lately about solar activity and likely storms on Earth. I'm told I might even be able to see the aurora down here in San Francisco this evening, and then that the power grid may be even more unstable. And my cell phone may not work. Good thing I don't have a cell phone!

With my right arm in lots of pain in the afternoon, I read E. L. Doctorow's City of God.

This is one of the best books I've read in years, but also one of the most painful, maybe more so than The Last of the Just -- solid competition, anyway.

Vitanuova for 2001 March

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